The Irish art of controversy /
"Controversies are high drama: in them people speak lines as colorful and passionate as any recited on stage. In the years before the 1916 Rising, public battles were fought in Ireland over French paintings, a maverick priest, Dublin slum children, and theatrical censorship."
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| Format: | Electronic eBook |
| Language: | English |
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Ithaca, N.Y. :
Cornell University Press,
2005.
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| Subjects: | |
| Online Access: | Full text (Emerson users only) Full text (Emmanuel users only) Full text (NECO users only) Full text (MCPHS users only) Full text (Wentworth users only) |
MARC
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| 100 | 1 | |a McDiarmid, Lucy. | |
| 245 | 1 | 4 | |a The Irish art of controversy / |c Lucy McDiarmid. |
| 264 | 1 | |a Ithaca, N.Y. : |b Cornell University Press, |c 2005. | |
| 300 | |a 1 online resource (xvii, 280 pages) : |b illustrations, portraits | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 259-270) and index. | ||
| 505 | 0 | |a Introduction : the Irish controversy -- Hugh Lane and the decoration of Dublin, 1908 -- The man who died for the language : Rev. Dr. O'Hickey and the Irish language controversy, 1908-9 -- The shewing-up of Dublin Castle : Lady Gregory, Shaw, and Blanco Posnet, August 1909 -- Hunger and hysteria : the "save the Dublin kiddies" campaign, October-November 1913 -- The afterlife of Roger Casement : memory, folklore, ghosts, 1916 -- Epilogue : controversy as "heritage" -- Chronologies of the controversies. | |
| 520 | 1 | |a "Controversies are high drama: in them people speak lines as colorful and passionate as any recited on stage. In the years before the 1916 Rising, public battles were fought in Ireland over French paintings, a maverick priest, Dublin slum children, and theatrical censorship." | |
| 520 | 8 | |a "In her new book, Lucy McDiarmid offers an account of these and other controversies, antagonistic exchanges with no single or no obvious high ground. They merit attention, in her view, not because the Irish are more combative than other peoples, but because controversies functioned centrally in the debate over Irish national identity. They offered to everyone direct or vicarious involvement in public life: the question they articulated was not "Irish Ireland or English Ireland" but "whose Irish Ireland" would dominate when independence was finally achieved." | |
| 520 | 8 | |a "McDiarmid's use of archival sources, especially little-known private letters, indicates the way intimate exchanges, as well as cartoons, ballads, and editorials, may exist within a public narrative."--Jacket | |
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 651 | 0 | |a Ireland |x History |y 1901-1910. | |
| 651 | 0 | |a Ireland |x History |y 1910-1921. | |
| 651 | 0 | |a Ireland |x Civilization |y 20th century. | |
| 651 | 0 | |a Ireland |x Intellectual life |y 20th century. | |
| 776 | 0 | 8 | |i Print version: |a McDiarmid, Lucy. |t Irish art of controversy. |d Ithaca, N.Y. : Cornell University Press, 2005 |z 0801443539 |w (DLC) 2004030942 |w (OCoLC)57414752 |
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