Memory fragments : visualising difference in Australian history /
Annotation
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bristol ; Chicago :
Intellect,
2012.
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| Subjects: | |
| Online Access: | Full text (Emerson users only) Full text (Emmanuel users only) Full text (NECO users only) Full text (MCPHS users only) Full text (Wentworth users only) |
MARC
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| 100 | 1 | |a Bullock, Marita. | |
| 245 | 1 | 0 | |a Memory fragments : |b visualising difference in Australian history / |c Marita Bullock. |
| 260 | |a Bristol ; |a Chicago : |b Intellect, |c 2012. | ||
| 300 | |a 1 online resource (215 pages) | ||
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| 380 | |a Bibliography | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a ""Front Cover""; ""Half-title""; ""Title""; ""Copyright""; ""Contents""; ""Acknowledgements""; ""Introduction: Collecting Junk/Collecting Memory""; ""Chapter 1: The Trash of History: The Timeliness of Benjamins Dialectical Images"" | |
| 505 | 8 | |a ""Chapter 2: Fossilizing the Commodity: Ricky Swallows Art of Crafting Time in Postmodern Culture""""Chapter 3: China China: Autoethnography as Literal Translation in Ah Xian's Porcelain Forms ""; ""Chapter 4: Melancholy Debris: Black Humour and Colonial Memory in Work by Julie Gough "" | |
| 505 | 8 | |a ""Chapter 5: Australian Modernity: The Metaphorics of Mining in Donna Marcus Compositions""""After-Images: Visualising Difference""; ""Works Cited""; ""BackCover"" | |
| 520 | 8 | |a Annotation |b Taking as its starting point four contemporary visual artists whose work utilizes the conventions of museum display and collecting practices, Memory Fragmentsexamines how these artists have reconfigured dominant representations of Australian history and identity, including viewpoints often marginalized by gender and race. Echoing Walter Benjamins reflections on history and time, this interdisciplinary volume will be of interest to scholars working in the arts as well as modern and postmodern cultural studies. | |
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