Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn /
Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Madison :
Fairleigh Dickinson University Press,
[2014]
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| Subjects: | |
| Online Access: | Full text (Emerson users only) Full text (Emmanuel users only) Full text (NECO users only) Full text (MCPHS users only) Access E-Book Full text (Wentworth users only) |
MARC
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| 100 | 1 | |a McFadden, Cybelle H., |d 1975- |1 https://id.oclc.org/worldcat/entity/E39PCjK4KVgyFT7tKJGtYfmRgC | |
| 245 | 1 | 0 | |a Gendered frames, embodied cameras : |b Varda, Akerman, Cabrera, Calle, and Maïwenn / |c Cybelle H. McFadden. |
| 264 | 1 | |a Madison : |b Fairleigh Dickinson University Press, |c [2014] | |
| 300 | |a 1 online resource (xii, 233 pages) | ||
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| 504 | |a Includes bibliographical references (pages 221-228) and index. | ||
| 505 | 0 | |a Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras. | |
| 520 | |a Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Varda, Agnès, |d 1928-2019 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Akerman, Chantal |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Cabrera, Dominique, |d 1957- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Calle, Sophie |x Criticism and interpretation. |
| 600 | 0 | 0 | |a Maïwenn, |d 1976- |x Criticism and interpretation. |
| 650 | 0 | |a Human body in motion pictures. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a Motion pictures |z France. | |
| 758 | |i has work: |a Gendered frames, embodied cameras (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFGmDVQWFvv66jqbk8vgVd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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