Gone with the wind /
"Gone With the Wind (1939), the highest-grossing film of all time, is sometimes dismissed as a reactionary popular romance. Interrogating such dismissals and hailing the film's vast ambition and astonishing production values, Helen Taylor explores its influence on film-makers, popularity w...
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Main Author: | |
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Corporate Author: | |
Format: | Book |
Language: | English |
Published: |
London :
Palgrave on behalf of the British Film Institute,
2015.
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Series: | BFI film classics.
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Subjects: |
MARC
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020 | |a 9781844578719 | ||
020 | |a 1844578712 | ||
035 | |a (OCoLC)918877391 | ||
040 | |a BTCTA |b eng |e rda |c BTCTA |d BDX |d YDXCP |d CDX |d CUD |d OCLCO |d OCLCF |d UAB |d VP@ |d ZCU |d IAI |d UtOrBLW | ||
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050 | 4 | |a PN1997.G59 |b T39 2015 | |
082 | 0 | 4 | |a 791.4/372 |2 23 |
100 | 1 | |a Taylor, Helen, |d 1947- |e author. |0 n 87907826 | |
245 | 1 | 0 | |a Gone with the wind / |c Helen Taylor. |
264 | 1 | |a London : |b Palgrave on behalf of the British Film Institute, |c 2015. | |
300 | |a 117 pages : |b illustrations (some color) ; |c 19 cm. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a BFI film classics | |
500 | |a "This special edition features original cover artwork by HelloVon"--Page [4] of cover. | ||
504 | |a Includes bibliographical references. | ||
505 | 0 | |a 'Selznick's folly' : how Gone with the wind was made -- 'The greatest star England ever gave Hollywood' : Britain and the search for Scarlett -- The racial politics of Gone with the wind -- Scarlett and Rhett : destined or doomed? | |
520 | |a "Gone With the Wind (1939), the highest-grossing film of all time, is sometimes dismissed as a reactionary popular romance. Interrogating such dismissals and hailing the film's vast ambition and astonishing production values, Helen Taylor explores its influence on film-makers, popularity with generations of audiences, and impact on everyday language. Arguing that the film, with its disturbing racial politics, set the agenda for more than a century's film representations of slavery and the Civil War, Taylor shows how it has been engaged with and challenged since -- form the mini-series Roots (1977) to 12 Years a Slave (2014). Drawing on new archival material about Vivien Leigh and seventy-five years of scholarship and popular culture references, Taylor makes the case for the film's classic status."--Page [4] of cover. | ||
630 | 0 | 0 | |a Gone with the wind (Motion picture : 1939) |0 n 79066095 |
710 | 2 | |a British Film Institute. |0 n 80075864 | |
830 | 0 | |a BFI film classics. |0 n 92106505 | |
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