Sounds of the underground : a cultural, political, and aesthetic mapping of underground and fringe music /
In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from tradition...
Saved in:
| Main Author: | |
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Ann Arbor :
University of Michigan Press,
[2016]
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| Series: | Tracking pop.
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| Subjects: | |
| Online Access: | Full text (Open Access) |
MARC
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| 245 | 1 | 0 | |a Sounds of the underground : |b a cultural, political, and aesthetic mapping of underground and fringe music / |c Stephen Graham. |
| 264 | 1 | |a Ann Arbor : |b University of Michigan Press, |c [2016] | |
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| 490 | 1 | |a Tracking pop | |
| 504 | |a Includes bibliographical references (pages 269-289) and index. | ||
| 505 | 0 | |a Preface; Part I-What Is the Underground?; 1. Introduction to the Underground and Its Fringes; 2. The Music and Musicians; 3. Global and Local Underground/Fringe Scenes; Part II-The Political and Cultural Underground; 4. Politics and Underground/Fringe Music; 5. Cultural Policy and Underground/Fringe Music; 6. Artists and Music, Improv and Noise; 7. The Digital Economy and Labels; 8. Festivals and Venues; Part III-Listening to the Underground; 9. Noise as Concept, History, and Scene; 10. The Politics of Underground Music and Noise; 11. The Sounds of Noise; 12. Extreme Metal | |
| 505 | 8 | |a ConclusionList of Interviewees; Notes; Bibliography; Index | |
| 520 | 8 | |a In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy. | |
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| 650 | 0 | |a Underground music |x Political aspects. | |
| 650 | 0 | |a Underground music |x History and criticism. | |
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