|
|
|
|
| LEADER |
00000cam a2200000 a 4500 |
| 001 |
beae6e2d-0011-4bc5-9da7-496fbdec7df6 |
| 005 |
20240722000000.0 |
| 008 |
070901s2007 enka b 001 0 eng |
| 010 |
|
|
|a 2007532276
|
| 015 |
|
|
|a GBA628070
|2 bnb
|
| 016 |
7 |
|
|a 013415313
|2 Uk
|
| 020 |
|
|
|a 9780859897730 (pbk.)
|
| 020 |
|
|
|a 0859897737 (pbk.)
|
| 020 |
|
|
|a 9780859897723 (hbk.)
|
| 020 |
|
|
|a 0859897729 (hbk.)
|
| 035 |
|
|
|a (OCoLC)64555504
|
| 035 |
|
|
|a BNW-9658
|
| 040 |
|
|
|a UKM
|c UKM
|d BAKER
|d BWKUK
|d YDXCP
|d IXA
|d BTCTA
|d DLC
|d UtOrBLW
|
| 042 |
|
|
|a ukscp
|a lccopycat
|
| 049 |
|
|
|a ECLL
|
| 050 |
0 |
0 |
|a P96.T42
|b M87 2007
|
| 082 |
0 |
4 |
|a 791.4309
|2 22
|
| 245 |
0 |
0 |
|a Multimedia histories :
|b from the magic lantern to the Internet /
|c edited by James Lyons and John Plunkett.
|
| 264 |
|
1 |
|a Exeter, Devon, UK :
|b University of Exeter Press,
|c 2007.
|
| 300 |
|
|
|a xxv, 275 pages :
|b illustrations ;
|c 25 cm.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 490 |
1 |
|
|a Exeter studies in film history
|
| 504 |
|
|
|a Includes bibliographical references (p. 235-268) and index.
|
| 505 |
0 |
|
|a Pt. 1. Culture, aesthetics and the influence of new media -- Toys, instruments, machines: why the hardware matters / Ian Christie -- The suppleness of everyday life: CGI, the Lumieres, and Perception after photography / Damian Sutton -- Wouldn't you rather be at home?: electronic media and the anti-urban impulse / William Boddy -- Breaking the time barrier with John Cage / Charlie Gere -- Pt. 2. Exploring remediation: old formats into new -- From the album page to the computer screen: collecting photographs at home / Patrizia di Bello -- The return of curiosity: the world wide web as curiosity museum / Michelle Henning -- From android to synthespian: the performance of artificial life / Dan North -- As seen on TV: Kinaesthetic crossover and the animation of social dance pedagogy / Jonathan Bollen -- Pt. 3. Media consumption and interactivity -- Depth, colour, movement: embodied vision and the stereoscope / John Plunkett -- Penny gaffs and picture theatres: popular perceptions of Britain's first cinemas / Andrew Shail -- From museum to interactive television: organizing the navigable space of natural-history display / James Bennett -- Imaginary spaces: user participation in networked narrative environments / Andrea Zapp -- Pt. 4. Visions of convergence : bringing media together -- The lady of Shalott: optical elegy / Isobel Armstrong -- Photographed tableaux and motion-picture aesthetics: Alexander Black's picture plays / Kaveh Askari -- DVDs, video games and the cinema of interactions / Richard Grusin -- From Nip/Tuck to cut/paste: remediating cosmetic surgery / James Lyons.
|
| 595 |
|
|
|a OCLC Reclamation ECLBatch3_in_part1.mrc 20090619 pmh.
|
| 650 |
|
0 |
|a Mass media and technology
|x History.
|0 sh 90000948
|
| 650 |
|
0 |
|a Digital media.
|0 sh 98006600
|
| 650 |
|
0 |
|a Cinematography
|x History.
|0 sh2008100789
|
| 650 |
|
0 |
|a Projectors
|x History.
|0 sh 85107385
|
| 650 |
|
0 |
|a Digital cinematography.
|0 sh2001001797
|
| 650 |
|
0 |
|a Motion pictures
|x History.
|0 sh 87002438
|
| 650 |
|
0 |
|a Visual sociology.
|0 sh 93006019
|
| 700 |
1 |
|
|a Lyons, James,
|d 1972-
|0 no2003077150
|
| 700 |
1 |
|
|a Plunkett, John,
|d 1974-
|0 no2003069601
|
| 830 |
|
0 |
|a Exeter studies in film history.
|0 no 00004647
|
| 999 |
1 |
0 |
|i beae6e2d-0011-4bc5-9da7-496fbdec7df6
|l e884323
|s US-MBE
|m multimedia_historiesfrom_the_magic_lantern_to_the_internet_________________2007_______univea___________________________________________________________________________p
|
| 999 |
1 |
1 |
|l e884323
|s ISIL:US-MBE
|i Emerson
|t BKS
|a Main Stacks
|b 0113502882666
|c P96.T42 M87 2007
|d Library of Congress classification
|x Book
|p LOANABLE
|