The globalization of Renaissance art : a critical review /
In The Globalization of Renaissance Art: A Critical Review, Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcend...
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| Format: | Electronic eBook |
| Language: | English |
| Published: |
Leiden ; Boston :
Brill,
[2017]
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| Series: | Brill's studies in intellectual history ;
v. 274. Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 23. |
| Subjects: | |
| Online Access: | Full text (Emerson users only) Full text (Emmanuel users only) Full text (NECO users only) Full text (MCPHS users only) Full text (Wentworth users only) |
MARC
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| 245 | 0 | 4 | |a The globalization of Renaissance art : |b a critical review / |c edited by Daniel Savoy. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xii, 341 pages) : |b illustrations (some color), maps | ||
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| 490 | 1 | |a Brill's studies in intellectual history ; |v volume 274 | |
| 490 | 1 | |a Brill's studies on art, art history, and intellectual history ; |v volume 23 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Global genealogies -- Beyond Eurocentrism -- A borderless Renaissance -- Instituting the global. | |
| 520 | |a In The Globalization of Renaissance Art: A Critical Review, Daniel Savoy assembles an interdisciplinary group of scholars to evaluate the global discourse on early modern European art. Over the course of eleven chapters and a roundtable, the contributors assess the discourse's goal of transcending Eurocentric boundaries, reflecting on the strengths and weaknesses of current terms, methods, theories, and concepts. Although it is clear that the global perspective has exposed the artistic and cultural pluralism of early modern Europe, it is found that more work needs to be done at the epistemological level of art history as a whole. Contributors: Claire Farago, Elizabeth Horodowich, Lauren Jacobi, Thomas DaCosta Kaufmann, Jessica Keating, Stephanie Leitch, Emanuele Lugli, Lia Markey, Sean Roberts, Ananda Cohen-Aponte, and Marie Neil Wolff. | ||
| 545 | 0 | |a Daniel Savoy is Associate Professor of Art History at Manhattan College. He is the author of Venice from the Water (Yale University Press, 2012), which received the 2012 PROSE Award in Art History. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central College Complete | ||
| 650 | 0 | |a Art, Renaissance |x Historiography. | |
| 650 | 0 | |a Art |x Historiography |x Methodology. | |
| 700 | 1 | |a Savoy, Daniel, |d 1977- |e editor. | |
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