Being la Dominicana : Race and Identity in the Visual Culture of Santo Domingo.

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Bibliographic Details
Main Author: Quinn, Rachel Afi
Format: eBook
Language:English
Published: Champaign : University of Illinois Press, 2021.
Series:Dissident Feminisms Ser.
Subjects:
Online Access:Full text (Emerson users only)

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505 0 |a Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction: Transnational Feminist Cultural Studies, Visual Culture, and the Ethnographic Project -- The See/Saw of Mixed Race -- Out from Underneath the Imagery of the "Picturesque" -- Whose Narrative Eye in the Caribbean? -- The DR as a Site of Study -- Small Talk and the Big Picture -- Ay/I/Eye -- 1 Sites of Identity: Facebook, Murals, and Vernacular Images -- "Maldito Feisbu" -- Raisa and Ingrid: Social Networks as Sites of Identity -- Sites of Resistance -- Rewriting Master Narratives 
505 8 |a Everybody's Protest Mural -- Off the Wall -- Photographic Resistance -- Paloma: La Calle Será la Calle -- 2 Me Quedo con la Greña: Dominican Women's Identities and Ambiguities -- Fluctuations in Racial Meaning -- To Be Black or Latina? -- Marked on the Body -- Michelle and Dulcina: Ambiguity and Alienation -- "Mi Negra" -- Navigating a Transnational World -- Michelle: "Negra Caribeña Soy" -- 3 Whiteness, Transformative Bodies, and the Queer Dominicanidad of Rita Indiana -- "La Hora de Volvé" -- Ritaindianístico Pastiche -- The Privilege of Being a Transformista 
505 8 |a Queerness and Whiteness in the Dominican Imaginary -- "El juidero" as Masculinity Deployed -- Rita Indiana's Brand -- Racial Vacillations and the Epistemic Knowledge of Mixed Race -- 4 A Thorn in Her Foot: The Discomfort of Racism and the Ethnographic Moment -- La Plaza and El Mall -- Patricia: Dominican German Feminism -- Who Is Afrodominicana? -- Yessica y Ambar: Different Razas -- 5 The Camera Obscura: Teatro Maleducadas' Production of La Casa de Bernarda Alba -- A Looking-Glass World -- Other Worlds Are Possible -- Seeing Gender, Seeing Race -- Whiteness as Metaphor -- The Wrath of Bernarda 
505 8 |a Seeing and Policing Bodies -- 6 Feminist Rage and the Right to Life for Women in the Dominican Republic -- Fictions of Identity in Trópico de Sangre -- Queering Minerva -- Color and Its Consequences -- Albania and Inez: "Niña No Esposa" -- Girlhood Interrupted -- #TodosSomosEmely -- The Art of Rage -- Curiouser and Curiouser -- Notes -- Introduction -- Chapter 1. Sites of Identity -- Chapter 2. Me Quedo con la Greña -- Chapter 3. Whiteness, Transformative Bodies, and the Queer Dominicanidad of Rita Indiana -- Chapter 4. A Thorn in Her Foot -- Chapter 5. The Camera Obscura 
505 8 |a Chapter 6. Feminist Rage and the Right to Life for Women in the Dominican Republic -- Works Cited -- Index 
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