Jewish religious music in nineteenth-century America : restoring the synagogue soundtrack /
Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed&quo...
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| Format: | Electronic eBook |
| Language: | English |
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Bloomington, Indiana :
Indiana University Press,
[2019]
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| Subjects: | |
| Online Access: | Full text (Emerson users only) Full text (Emerson users only) Full text (Emmanuel users only) Full text (Emmanuel users only) Full text (NECO users only) Full text (NECO users only) Full text (MCPHS users only) Full text (MCPHS users only) Full text (Wentworth users only) Full text (Wentworth users only) |
MARC
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| 100 | 1 | |a Cohen, Judah M., |e author. | |
| 245 | 1 | 0 | |a Jewish religious music in nineteenth-century America : |b restoring the synagogue soundtrack / |c Judah M. Cohen. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2019] | |
| 300 | |a 1 online resource (xiii, 309 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America. | |
| 520 | |a Jewish Music in Nineteenth Century America looks at key Jewish American musical figures and texts from the 19th century, demonstrating the significant influence central European traditions had during this period and complicating the notion that American Jewish musical traditions "progressed" from solo chant to canters and choirs. | ||
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