Germaine Dulac : a cinema of sensations / by Williams, Tami, 1970-

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Germaine Dulac : a cinema of sensations / by Williams, Tami, 1970-

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La souriante Mme Beudet : d'après la pièce de Deny Amlel et André Obey = The smiling Madame Beudet by Rosenberg, Judith, Obey, André, 1892-1975

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Women and experimental filmmaking

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Avant-garde film

Table of Contents: “…Dancing with Light: Choreographies of Gender in the Cinema of Germaine Dulac /…”
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French cinema and the Great War : remembrance and representation

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Women and the cinema : a critical anthology

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The avant-garde film : a reader of theory and criticism

Table of Contents: “…Selected writings / Dziga Vertov -- On the question of a materialist approach to form / Sergei Eisenstein -- The badly trained sensibility / Hans Richter -- The essence of cinema / Jean Epstein -- For a new avant-garde / Jean Epstein -- From "Visual and anti-visual films" / Germaine Dulac -- The essence of the cinema : the visual idea / Germaine Dulac -- The avant-garde cinema / Germaine Dulac -- Sorcery and the cinema / Antonin Artaud -- Monsieur Phot / Joseph Cornell -- Cinematography : the creative use of reality / Maya Deren -- Cine dance and Two notes / Sidney Peterson -- Two notes on Mother's day / James Broughton -- Audio-visual music / John and James Whitney -- Harry Smith interview / P. …”

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The Cubist cinema by Lawder, Standish D.

Table of Contents: “…. -- Abel Gance. -- Germaine Dulac. -- Appendix: Shot analysis of "Ballet Mecanique."…”


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Avant guarde shorts [i.e. garde short] subjects from France

Table of Contents: “…La folie du Docteur Tube (1915) / Abel Gance -- Anémic cinéma (1926) / Marcel Duchamp -- Emak Bakia (1927) / Man Ray -- L'étoile de mer (1928) / Man Ray -- Charleston (1927) / Jean Renoir -- La souriante Madame Beudot (1922) / Germaine Dulac.…”

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Avant guarde shorts [i.e. garde short] subjects from France.

Table of Contents: “…La folie du Docteur Tube (1915) / Abel Gance -- Anémic cinéma (1926) / Marcel Duchamp -- Emak Bakia (1927) / Man Ray -- L'étoile de mer (1928) / Man Ray -- Charleston (1927) / Jean Renoir -- La souriante Madame Beudot (1922) / Germaine Dulac.…”

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La Coquille et le clergyman

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La Coquille et le clergyman.

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The Smiling Madame Beudet.

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The Smiling Madame Beudet

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To desire differently : feminism and the French cinema by Flitterman-Lewis, Sandy, 1946-

Table of Contents: “…Germaine Dulac: first feminist of the avant-garde -- Dulac in context: French film production in the twenties -- From fantasy to structure of the fantasm: the smiling Mme Beudet and the seashell and the clergyman -- Marie Epstein: a woman in the shadows -- Epstein in context: French film production of the thirties -- Nursery/rhymes: primal scenes in la maternelle -- Agnes Varda and the woman seen -- Varda in context: French film production of the early sixties-the new wave -- From deesse to idee: Cleo from 5 to 7 -- The "impossible portrait" of femininity: vagabond.…”


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Materialist film by Gidal, Peter

Table of Contents: “…The one to one relation between viewer and viewed -- Trees in autumn (1960) / Kurt Kren -- Etude cinematographique sur une arabesque (1929) / Germaine Dulac -- The concept of arbitrariness -- Implicating materialism with physicality -- Presence -- Content -- The subject -- Film as film -- Perception versus knowledge -- Condition of illustion (1975) / Peter Gidal -- Accompaniement to a cinematographic scene by Arnold Schonberg (1975) / Straub/Huillet -- Fetishization of process -- Still life with pear (1974) / Mike Dunford -- Deconstruction -- Deconstruction and sexuality -- Denial of semiocity -- Brecht, Kuhn, Doane, and Heath -- Andy Warhol's Kitchen (1965) -- The stare and voyeurism: Women against violence against women -- Lis Rhodes' Light reading (1978) -- Questions around structural/materialist film -- Meaning and illusion -- The close-up -- The Chelsea girls (1966) / Andy Warhol -- Two or three things I know about her (1966) / Jean-Luc Godard -- Context -- History -- The literal -- Room film 1973 / Peter Gidal -- Artistic subject/aesthetic subject / Dusinberre -- Duration -- Splice -- Filmmakers' statements -- Gill Eatherley, 1976 -- Malcolm LeGrice, 1978 -- Performance -- Marilyn Halford, 1971 -- Film as material -- Yes no maybe maybe not (1967) / Malcolm LeGrice -- Cinema verite -- Audience numbers and sex -- Rose Lowder's Composed recurrence (1981) -- Kurt Kren's TV (1966) -- The London filmmakers co-operative -- Repetition -- Humanism and anti-humanism -- Socialism/optimism/pessimism -- A little polemic on production -- Autonomy and anonymity.…”


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Experimental cinema : the film reader

Table of Contents: “…The first American film avant-garde, 1919-1945 / Jan-Christopher Horak ; Notes on the new American cinema / Jonas Mekas ; The woman filmmaker in the New York avant-garde / Lauren Rabinovitz ; Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. …”


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Early Women Filmmakers.

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Reclaiming the archive : feminism and film history

Table of Contents: “…. : women screenwriters in American silent cinema / Giuliana Muscio -- Making more than a spectacle of themselves : creating the militant suffragette in Votes for women / Amy Shore -- Visualizing the modern Mexican woman : Santa and cinematic nation-building / Joanne Hershfield -- Sisters in rebellion : the unexpected kinship of Germaine Dulac and Virginia Woolf / Sandy Flitterman-Lewis -- Constructing a (post)feminist future. …”


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