Towards a Global History of Domestic and Caregiving Workers. by Hoerder, Dirk

Table of Contents: “…4: Introduction: Combining Work and Emotions: Strategies, Agency, Self-assertion5: Slovenian Domestic Workers in Italy: A Borderlands Care Chain over Time; 6: Ties that Bind: Localizing the Occupational Motivations that Drive Non-Union Affiliated Domestic Workers in Salvador, Brazil; 7: Maid-of-all-Work or Professional Nanny? The Changing Character of Domestic Work in Polish Households, Eighteenth Century to the Present; 8: Mutual Emotional Relations in Caregiving Work at the Turn of the Twenty-First Century: Vietnamese Families and Czech Nannies-Grandmothers.…”
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Teaching Sound Film A Reader by Cardullo, R. J.

Table of Contents: “…Operatic Acting in Pasolini’s Mamma Roma -- Trainspotting: Jiří Menzel’s Closely Watched Trains -- Thought, Feeling, and the Cinema of Francis Ford Coppola: The Rain People as Exemplum -- The Fall of Béatrice, the Salvation of Pomme: Simultaneity and Stillness in Goretta’s The Lacemaker -- Wooden Allen, or Made in Manhattan -- Memories Are Made of This: Rainer Werner Fassbinder’s Veronika Voss -- Case Reopened: Mrinal Sen’s The Case Is Closed -- Epiphanies: Nanni Moretti’s The Mass Is Ended -- Comedies Are Proverbial: Eric Rohmer’s Boyfriends and Girlfriends -- Finnish Character: Aki Kaurismäki’s Ariel -- Law of the Jungle: Idrissa Ouédraogo’s Tilaï -- María Novaro’s Danzón in Light of the Cinema of Pedro Almodóvar -- Work, Family, and Politics: Ken Loach’s Riff-Raff -- The Uses of History: Chen Kaige’s Farewell, My Concubine -- The Prison-House of Sexuality: Tomás Gutiérrez Alea’s Strawberry and Chocolate -- Lower Depths, Higher Planes: The Dardennes’ La Promesse -- Wind and Dust: Abbas Kiarostami’s The Wind Will Carry Us -- Of Human Bondage and Male Indulgence: Amos Gitai’s Kadosh -- Latino Art through European Eyes, or against the American Evil Eye: Barbet Schroeder’s Our Lady of the Assassins -- All about My, Your, Their Mother: Andrucha Waddington’s Me, You, Them -- The Space of Time, the Sound of Silence: Tsai Ming-Liang’s What Time Is It There? …”
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