Sensational pleasures in cinema, literature and visual culture : the phallic eye

Table of Contents: “…Part III: Bleeding masculinities -- "There's no losing it": disability and voyeurism in Rear Window and Vertigo / Laura Christiansen -- The vaginal apocalypse: phallic trauma and the end of the world in Romeo is Bleeding / James D. …”


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Alfred Hitchcock : filming our fears by Adair, Gene

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Acting in the Cinema. by Naremore, James

Table of Contents: “…11 Marlon Brando in On the Waterfront (1954)12 Cary Grant in North by North west (1959); Part Three: Film as a Performance Text; 13 Rear Window (1954); 14 The King of Comedy (1983); Selected Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.…”
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Infamous assassinations. Episode 18, The attempts on General de Gaulle

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Chora 4 : intervals in the philosophy of architectur.

Table of Contents: “…Hersey -- 6 On the Renaissance Studioli of Federico da Montefeltro and the Architecture of Memory Robert Kirkbride -- 7 Architecture, Mysticism and Myth: Modern Symbolism in the Writing of William Richard Lethaby Joanna Merwood -- 8 Gordon Matta-Clarks Circling the Circle of the Caribbean Orange Michel Moussette -- 9 Geometry of Terror: Alfred Hitchcocks Rear Window Juhani Pallasmaa -- 10 The Glass Architecture of Fra Luca Pacioli Alberto P233;rez-G243;mez -- 11 Simplex Sigillum Veri: The Exemplary Life of an Architect David Theodore -- 12 Ranelagh Gardens and the Recombinatory Utopia of Masquerade Dorian Yurchuk -- About the Authors.…”
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After Hitchcock : influence, imitation, and intertextuality

Table of Contents: “…Barton Palmer -- Exposing the lies of Hitchcock's truth / Walter Metz -- Red blood on white bread : Hitchcock, Chabrol, and French cinema / Richard Neupert -- "You're tellin' me you didn't see" : Hitchcock's Rear window and Antonioni's Blow-up / Frank P. Tomasulo -- Melo-thriller : Hitchcock, genre, and nationalism in Pedro Almodóvar's Women on the verge of a nervous breakdown / Ernesto R. …”
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Blackmail

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Rosebud Sleds and Horses' Heads : 50 of Film's Most Evocative Objects. by Jordan Harris, Scott

Table of Contents: “…The Escalator between Heaven and Earth in A Matter of Life and Death (1946)The Camera with a Telescopic Lens in Rear Window (1954); Marilyn Monroe's White Dress in The Seven Year Itch (1955); The Red Balloon in The Red Balloon (1956); The Bridge on the River Kwai in The Bridge on the River Kwai (1957); The Chess Set in The Seventh Seal (1957); Apu's Manuscript in The World of Apu (1959); Mrs Robinson's Stockings in The Graduate (1967); The Cosmic Cup of Coffee in Two or Three Things I Know About Her (1967); The Alien Monolith in 2001: A Space Odyssey (1968).…”
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The green thread : dialogues with the vegetal world

Table of Contents: “…6 Preserving Plants in an Era of Extinction: Sentimental and Scientific Discourse in Mary Thacher Higginson's "A Dying Race"7 Laws of the Jungle: The Politics of Contestation in Cinema about the Amazon; 8 Monstrous Flora: Dangerous Cinematic Plants of the Cold War Era; 9 Once Upon a Time in Ombrosa: Italo Calvino and the Fabulist Pastoral; 10 Vital Plants and Despicable Weeds in Ray Lawrence's Lantana; SECTION III: PERFORMING PLANTS; 11 Plant-Thinking with Film: Reed, Branch, Flower; 12 Shrubs and the City: Urban Nature in Rear Window; 13 The Art of Human to Plant Interaction…”
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Hitchcock's music by Sullivan, Jack, 1946-

Table of Contents: “…Overture -- The music starts -- Waltzes from Vienna : Hitchcock's forgotten operetta -- The man who knew too much : storm clouds over Royal Albert Hall -- Musical minimalism : British Hitchcock -- Rebecca : music to raise the dead -- Waltzing into danger -- Sounds of war -- Spellbound : theremins and phallic frescoes -- Notorious : bright sambas, dark secrets -- The paradine case : the unhappy finale of Hitchcock and Selznick -- Hitchcock in a different key : the post-Selznick experiments -- The band played on : a Tiomkin trio -- Rear window : the redemptive power of popular music -- Lethal laughter : Hitchcock's fifties comedies -- The man who knew too much : Doris Day versus the London Symphony -- The wrong man : music from the dark side of the moon -- Sing along with Hitch : music for television -- Vertigo : the music of longing and loss -- North by northwest : fandango on the rocks -- Psycho : the music of terror -- The birds : aviary apocalypse -- The music ends : Hitchcock fires Herrmann -- Topaz : the music is back -- Frenzy : out with Mancini, hold the Bach -- Family plot : Hitchcock's exuberant finale -- Finale : Hitchcock as maestro.…”
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Noir, now and then : film noir originals and remakes, (1944-1999) by Schwartz, Ronald, 1937-

Table of Contents: “…Winterbourne -- The prowler and Unlawful entry -- The narrow margin and Narrow margin -- The blue gardenia and The morning after -- Inferno and Ordeal -- I, the jury -- Rear window -- Les diaboliques, Reflections of murder, House of secrets, and Diabolique -- The desperate hours and Desperate hours -- Night of the hunter -- A kiss before dying -- Ransom -- Vertigo and Mirage -- A bout de souffle (aka Breathless) and Breathless.…”
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The Men Who Knew Too Much : Henry James and Alfred Hitchcock. by Griffin, Susan M.

Table of Contents: “…Caged Heat: Feminist Rebellion in In the Cage and Rear Window; 13. Shadows of Modernity: What Maisie Knew and Shadow of a Doubt; 14. …”
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Blackmail

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Film moments : critical methods and approaches

Table of Contents: “…PART ONE: CRITICISM -- Shadow Play and Dripping Teat: The Night of the Hunter (1955) / Tom Gunning -- Between Melodrama and Realism: Under the Skin of the City (2001) Laura Mulvey -- Internalising the Musical: The Band Wagon (1953) / Andrew Klevan -- The Visitor's Discarded Clothes in Theorem (1968) / Stella Bruzzi -- Style and Sincerity in Quentin Tarantino's Kill Bill Vol. 2 (2004) / James Walters -- The Moves: Blood (1989) / Adrian Martin -- The Properties of Images: Lust for Life (1956) / Steve Neale -- Two Views over Water: Action and Absorption in Ingmar Bergman's Wild Strawberries (1957) / Edward Gallafent -- Making an Entrance: Bette Davis's First Appearance in Jezebel (1938) / Martin Shingler -- A Narrative Parenthesis in Life is Beautiful (1997) / Deborah Thomas -- The End of Summer: Conte d'été (1996) / Jacob Leigh -- Enter Lisa: Rear Window (1954) / Douglas Pye -- Opening up The Secret Garden (1993) / Susan Smith -- A Magnified Meeting in Written on the Wind (1956) / Steven Peacock -- 'Everything is connected, and everything matters': Relationships in I Heart Huckabees (2004) / John Gibbs -- The Ending of 8 1/2 (1963) / Richard Dyer.…”


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Hitchcock and adaptation : on the page and screen

Table of Contents: “…Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho -- Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming -- Hitching a ride: the collaborations. …”
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Hitchcock at the source : the auteur as adaptor

Table of Contents: “…Bernstein -- Morbid psychologies and so forth: The fine art of rope / David Sterritt -- Under a distemperate star: Under Capricorn (1949) / Constantine Verevis -- Bruno's game or the case of the sardonic psychopath / Douglas McFarland -- Alfred Hitchcock presents Dial m for murder: the submerged televisuality of a stage to big screen adaptation / Ina Rae Hark -- The author of this claptrap: Cornell Woolrich, Alfred Hitchcock and Rear window / Pamela Robertson Wojcik -- To catch a thief: light reading on a dark topic / Hilary Radner -- Woman-as-death: Vertigo as source / Barbara Creed -- Psycho: trust the tale / Brian McFarlane -- Thirteen ways of looking at The birds / Murray Pomerance -- A brief anatomy of Family plot / Lesley Brill.…”
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American culture in the 1950s by Halliwell, Martin

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They went thataway : redefining film genres : a National Society of Film Critics video guide

Table of Contents: “…Jameson -- Howard Hawks, genre killer / Michael Williamson -- Alfred Hitchcock: Rear window / Michael Sragow -- Woody Allen: Bananas / David Denby -- Woody Allen: A midsummer night's sex comedy / Bruce Williamson -- Woody Allen: The purple rose of Cairo / Michael Wilmington -- Woody Allen: Another woman / David Ansen -- Woody Allen: Crimes and misdemeanors / Richard Schickel -- John Huston : Prizzi's honor / Michael Sragow -- Robert Altman: The player / Stephen Schiff -- Spike Lee: Malcolm X / Richard Corliss -- The star as genre -- On why the stars don't shine as they used to / Jay Carr -- On John Wayne / Morris Dickstein -- Tom Cruise: Top gun / Peter Rainer -- Julia Roberts : Pretty woman / Andrew Sarris -- Madonna: body of evidence / David Denby -- Virginia Madsen : Candyman / Gary Arnold -- Action -- Aliens / David Ansen -- Black rain / David Ansen -- Blue steel / Andrew Sarris -- Backdraft / Julie Salamon -- Angels hard as they come / Kevin Thomas -- Terminator 2: judgment day / Kenneth Turan -- Trespass / Armond White -- Horror -- The fly / Andy Klein -- Tremors / Richard Schickel -- The silence of the lambs / Owen Gleiberman -- On vampires / Dave Kehr -- Bram Stoker's Dracula / Richard Corliss -- Science fiction -- Close encounters of the third kind / Richard T. …”


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Talking the walk & walking the talk : a rhetoric of rhythm by Shell, Marc

Table of Contents: “…Jeffries' "Totter" in Rear Window [1954] -- CHAPTER SIX: MARCHING & HEILING IN THE GREAT DICTATOR [1940] -- 1. …”
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A poetics for screenwriters by Lee, Lance, 1942-

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