The fugitive kind.

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Fugitive kind / by Williams, Tennessee, 1911-1983

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The fugitive kind by Hopkins, Kenyon

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The fugitive kind / by Hopkins, Kenyon

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Hollywood on stage : playwrights evaluate the culture industry

Table of Contents: “…S.N. Behrman and the fugitive kind /…”


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Law and sexuality in Tennessee Williams's America by O'Connor, Jacqueline

Table of Contents: “…Illegal bodies -- Privacy and identity -- The power of disgust -- The fugitive kind -- The politics of recognition -- With dignity for all.…”
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The celluloid sacrifice ; aspects of sex in the movies. by Walker, Alexander

Table of Contents: “…Part One: The Goddesses -- Strange Roots, Early Fruits: Bara, Bow and the 'Forgotten' de Mille -- Young but not Innocent: Pickford -- It's Funny Head: Mae West -- At Heart a Gentleman: Dietrich -- The Fugitive Kind: Garbo -- Body and Soul: Harlow and Monroe -- Star Syndrome: Elizabeth Taylor -- Part Two: The Guardians -- One Man's Meat: British Censorship -- Many Men's Poison: American Censorship -- Part Three: The Victims -- Imperfect Lover: Mastroianni -- The Last American Massacre: Rock Hudson & Co.…”


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Film noir, American workers, and postwar Hollywood by Broe, Dennis

Table of Contents: “…Let a thousand fetish objects bloom -- The Home-front detective as dissident lawman (and -woman): Hammett, Chandler, Woolrich, and 1940s Hollywood -- Noir part 1: socialism in one genre: wildcat strikers, fugitive outsiders, and a savage lament -- Noir part 2: fugitive kinds -- The McCarthyite crime film: the time of the (quasi-scientific) toad (criminal/informer/vigilante cops versus psychotic fugitives) -- The neo-noirers: fugitives, surrealists, and the return of the degenerate detective -- Crime films of each film noir period.…”


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Romantics and modernists in British cinema by Orr, John, 1943-2010

Table of Contents: “…The running man: Hitchcock's fugitives and The bourne ultimatum -- Jason's waterloo: Hitchcock, greengrass and deepest fears -- The fugitive kind: pre-war, wartime, post-war -- British Hitchcock: from romance thriller to post-romantic fable -- The poetics of treachery: Dickinson and Cavalcanti -- The triumpth of the short film: Bon Voyage and Aventure malgache -- Post-romantic fugitives: Stage Fright and Frenzy -- Epilogue: the Frenzy murders -- 3. …”


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Sidney Lumet : film and literary vision by Cunningham, Frank R., 1937-

Table of Contents: “…The Loner and the Struggle for Moral Capability -- Equus: Martin Dysart and the Death of the Gods -- The Deadly Affair: Varieties of Betrayal -- The Fugitive Kind: Orpheus Ascending -- A View from the Bridge: The Consequences of Denial -- Daniel: The Understanding of the Past…”
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