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321
Paradise
New York, N.Y. : Grasshopper Film, 2009Format: Electronic VideoStreaming video (Emerson users only)
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322
The history of Chinese animation
London : Routledge, 2020Table of Contents: “…Cover -- Volume 01 -- Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Preface -- Acknowledgments -- List of Figures -- List of Contributors -- Part I: The embryonic stage and birth of Chinese animation (1920s-1930s) -- Chapter 1: Overview -- Chapter 2: The embryonic stage and birth of Chinese animation consciousness -- Chapter 3: Modern Chinese animation -- Part II: Early Chinese animation between the years of 1931 and 1948 -- Chapter 4: Overview -- Chapter 5: Chinese animation during the War of Resistance against Japanese Aggression -- Chapter 6: Art film team of the Northeast Film Studio -- Part III: The development of Chinese animation between the years of 1949 and 1977 -- Chapter 7: Overview -- Chapter 8: Founding of Shanghai Animation Film Studio -- Chapter 9: Enlightened education in animation -- Chapter 10: Blockbuster works -- Chapter 11: Ink-wash animation in China -- Chapter 12: Havoc in Heaven, the first cartoon feature film -- Chapter 13: Summary of the characteristics of animation creation in the period -- Chapter 14: Representative works from the 1950s to the 1970s in Hong Kong, China -- Chapter 15: The creation background and representative works in Taiwan, China in the 1950s, 1960s, and 1970s -- Bibliography -- Index -- Volume 02 -- Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Preface -- Acknowledgments -- List of Figures -- List of Contributors -- Part I: 1978-1988 -- Chinese animation after the Reform and opening up (I) -- Chapter 1: Overview -- Chapter 2: Creation and exploration -- Chapter 3: Representative works -- Chapter 4: Unique artistic style -- Chapter 5: Development, representative works, and features of animation in the 1980s in Hong Kong, China -- Chapter 6: The development of animation and TV animation series in the 1980s in Taiwan, China.…”
1st.
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323
Cinema inferno : celluloid explosions from the cultural margins
Lanham, Md. : Scarecrow Press, 2010Table of Contents: “…The neorealist transgressions of Pier Paolo Pasolini / Bill Landis -- From Chicago to Watts by way of Paris and Hollywood : art-film influence on Melvin Van Peebles' early features / Jonathan Hartmann -- At the heart of the heart of the world : Guy Maddin in the 21st century / John Bloomfield -- Italian Horror/Gialli. …”
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324
Toms, coons, mulattoes, mammies, and bucks ; an interpretive history of Blacks in American films.
New York : Viking Press, 1973Table of Contents: “…Bojangles: the cool-eyed Tom -- Clarence Muse: the inhibited, humanized Tom standing in a corner by himself -- Imitation of life: mother knows best -- Iridescent Fredi: black girl in search of a black role -- Louise Beavers: the black guardian angel -- The green pastures -- Rex Ingram: first of the freed black men -- Stepin's step-chillun -- Rochester: the gentleman's gentleman -- Hi-hat Hattie -- Gone with the wind: black realities and the end of a tradition -- Paul Robeson: the black colossus -- The interlude: black-market cinema -- Oscar Micheaux -- The 1940s: the entertainers, the new negroes, and the problem people -- The entertainers -- Hazel Scott: miss proper middle-class -- Lena Horne: black beauty in residence -- Cabin in the sky -- Stormy weather -- Bits and pieces of black action -- Song of the south -- The new Negroes: an interim -- The problem people -- Home of the brave and the postwar good sensitive negro -- Lost boundaries' tragic mulattoes -- Pinky's tragic mulatto and its strong black woman -- Intruder in the dust and the defiantly proud black man -- The 1950s: black stars -- Ethel Waters: Earth mother for an alienated age -- Dorothy Dandridge: apotheosis of the mulatto -- Sidney Poitier: hero for an integrationist age -- Black odds and ends -- The 1960s: problem people into militants -- Steps forward -- Black art films -- A step backward: Ossie Davis and Gone are the days -- Along the road, in Harlem, and on the subway -- Way down in de new ole south with Tom-Tom, Miss Bronze Barbie doll, and Ms. …”
Format: Book
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325
Unseen cinema. 7, Viva la dance. Hände : das Leben und die Liebe eines zärtlichen Geschlechts
[United States] : Filmmakers Showcase, 1928Format: Electronic VideoStreaming video (Emerson users only)
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326
"The beautiful language of my century" : reinventing the language of contestation in postwar France, 1945-1968
Cambridge, MA : MIT Press, 2007Format: Electronic eBookFull text (Emerson users only)
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327
Reimagining the Caribbean : conversations among the Creole, English, French, and Spanish Caribbean
Lanham : Lexington Books, an imprint of The Rowman and Littlefield Publishing Group, Incorporated, 2014Format: Electronic eBookFull text (Emerson users only)
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328
The Nibelungen tradition : an encyclopedia
New York ; London : Routledge, 2002Format: Electronic eBookFull text (Emerson users only)
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329
Unseen cinema. 4, Inverted narratives. The house with closed shutters
[United States] : Filmmakers Showcase, 1910Format: Electronic VideoStreaming video (Emerson users only)
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330
Cinema Ann Arbor : how campus rebels forged a singular film culture
Ann Arbor : University of Michigan Press, 2023Format: Electronic eBookFull text (Emerson users only)
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331
Nobody walks.
[United States] : Magnolia Pictures : Made available through hoopla, 2012Format: Electronic VideoStreaming video (Wentworth users only)
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332
Living with Art
NY : McGraw-Hill Higher Education, 2015Table of Contents: “…The Idea of Painting: Painting without PaintSumptuous Images: Mosaic and Tapestry; ARTISTS: Jacob Lawrence; 8 Prints; Relief; Woodcut; Wood Engraving; Linocut; Intaglio; Engraving; Drypoint; Mezzotint; Etching; Aquatint; Photogravure; Lithography; Screenprinting; Monotype; Inkjet; Recent Directions: Printing on the World; ARTISTS: Käthe Kollwitz; ARTISTS: Albrecht Dürer; 9 Camera and Computer Arts; Photography; The Still Camera and Its Beginnings; Bearing Witness and Documenting; Photography and Art; Film; The Origins of Motion Pictures; Exploring the Possibilities; Film and Art; Video.…”
11th ed.
Format: Electronic eBookFull text (Emerson users only)
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333
Learning Quartz Composer A Hands-On Guide to Creating Motion Graphics with Quartz Composer
Addison-Wesley Professional, 2012
1st edition.Format: Electronic eBookFull text (Wentworth users only)
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334
Transcendental style in film : Ozu, Bresson, Dreyer
Oakland, California : University of California Press, 2018Format: Electronic eBookFull text (Emerson users only)
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335
Historical dictionary of the dirty wars
Lanham, Maryland : Rowman & Littlefield, 2017
Third edition.Format: Electronic eBookFull text (Emerson users only)
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336
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337
Living with Art
NY : McGraw-Hill Higher Education, 2015Table of Contents: “…The Idea of Painting: Painting without PaintSumptuous Images: Mosaic and Tapestry; ARTISTS: Jacob Lawrence; 8 Prints; Relief; Woodcut; Wood Engraving; Linocut; Intaglio; Engraving; Drypoint; Mezzotint; Etching; Aquatint; Photogravure; Lithography; Screenprinting; Monotype; Inkjet; Recent Directions: Printing on the World; ARTISTS: Käthe Kollwitz; ARTISTS: Albrecht Dürer; 9 Camera and Computer Arts; Photography; The Still Camera and Its Beginnings; Bearing Witness and Documenting; Photography and Art; Film; The Origins of Motion Pictures; Exploring the Possibilities; Film and Art; Video.…”
11th ed.
Format: Electronic eBookFull text (Emerson users only)
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338
Cinema's Military Industrial Complex.
Berkeley : University of California Press, 2017Table of Contents: “…The Cinema Intelligence Apparatus: Gregory Bateson, the Museum of Modern Art Film Library, and the Intelligence Work of Film Studies during World War II; 9. …”
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339
Beijing Film Academy yearbook : 2015.
Bristol, UK : Intellect, 2016Table of Contents: “…NotesChapter 4; The Present State and the Problems of China's Film Industry; Distribution and Marketing; The Present Status and the Problems of China's Cinema; The Marginalization of Non-Genre Film-Making and the Decline of Art-HouseCinema; The Root of the Problem Lies in the Lack of Film-Making Talents; Notes; Chapter 5; The Current Situation and Features of Mainland Art Film Screening; Thematic Screening Should Emphasize Curating to Realize Educating andCommunicating Functions; Conclusion; References; Note; Chapter 6; Tian Han and Jun'ichirō Tanizaki.…”
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340
Dwight Macdonald on movies.
Englewood Cliffs, N.J. : Prentice-Hall, 1969Table of Contents: “…Frank-Leslie: Pull my daisy -- John Cassavetes: Shadows -- Some animadversions on the art film -- The above-ground underground -- Shirley Clarke: The cool world -- Adolfas & Jonas Mekas: Hallelujah the hills. …”
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