Bright lights, big city

Table of Contents: “…Night Is Chaos (1:20) -- Mandatory Torch Decree (1:23) -- Darkness and Crime (0:55) -- Street Lamps: Absolutist Rule (1:16) -- History of Street Lights (0:55) -- Crime: Social Problem (0:57) -- Street Lighting and Crime Reduction (0:54) -- First Discovery of Natural Gas (0:37) -- Natural Gas Lighting (1:28) -- Gas: Awesome and Unpredictable (0:59) -- Man's Triumph over Natural Order (0:56) -- Gas Lamps and Popular Culture (1:01) -- Gas Threatened by Electricity (1:04) -- Improvements in Street Lighting (1:18) -- Tower Lighting (0:46) -- Swan's Incandescent Light Bulb (1:01) -- Light Bulbs Safer than Gas (1:16) -- 1915 Trade Fair Lights (1:16) -- Artificial Light (1:19) -- Yellow Street Lighting (1:20) -- Neon Lights (1:27) -- Night People (1:10) -- Winter Blues (1:15) -- Natural Light vs. …”
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Bright lights, big city /

“…Bright lights, big city.…”

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Bright lights, big city

“…Bright lights, big city.…”

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Bright lights, brilliant minds : a tale of three cities. Vienna 1908

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Bright lights, brilliant minds : a tale of three cities. New York 1951

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Bright lights, big city : original motion picture soundtrack /

“…Bright lights, big city (Motion picture)…”

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Bright lights, big city original motion picture soundtrack /

“…Bright lights, big city (Motion picture)…”

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Bright lights, big city / by McInerney, Jay

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Bright lights, big city : screenplay / by McInerney, Jay

“…Bright lights, big city (Motion picture)…”


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Bright lights, little gerbil / by Spinner, Stephanie

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Bright lights, brilliant minds : a tale of three cities. Paris 1928

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The life of John Bright / by Trevelyan, George Macaulay, 1876-1962

Subjects: “…Bright, John, 1811-1889.…”
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Bright earth : art and the invention of color / by Ball, Philip, 1962-

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Seeing black and white by Gilchrist, Alan L.

Table of Contents: “…The classic period -- The Katz period -- The Gestalt period -- The contrast period -- The computational period -- Computational models -- Illumination perception -- The anchoring problem -- Errors in lightness -- An anchoring model of errors -- Theories of lightness -- Concluding thoughts.…”
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Bright darkness : the lost art of the supernatural horror film / by Dyson, Jeremy

Table of Contents: “…From the land of the phantoms -- A warning from Carl Laemmle -- Lost in the mazes of the mind -- The cold light of reason -- The piss hits the carpet -- They creep by night.…”


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Bright stranger : poems / by Soniat, Katherine

Table of Contents: “…Cover; Contents; i. study night and the river as if they hold the twin of all that disappeared; Shade; Green is a Word; Hunger; Talk of Winter; A History of Religion; August Annals; Anise; ii. create volume and depth like you're sending them to a friend who's never felt such before; Happiness; Phenomenology with a Future; Power Lines; Filings; What Else There Is To Do; After a Day at Bussard's Farm; Things that Hang in the Air; iii. one can look years for the right meaning of departure; Arrival; The Volga; Open House; Eurydice Turning; The Essential Eurydice; Eros; Ellipse…”
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Shine bright : a very personal history of black women in pop / by Smith, Danyel

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Shine bright a very personal history of black women in pop / by Smith, Danyel

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Bright red and, Tightrope / by Anderson, Laurie, 1947-

Table of Contents: “…Bright red: Speechless (5:20) ; Bright red (3:12) ; The Puppet Motel (3:09) ; Speak my language (3:38) ; World without end (2:47) ; Freefall (4:32) ; Muddy river (3:02) -- Tightrope: Beautiful pea green boat (4:20) ; Love among the sailors (2:49) ; Poison (3:47) ; In our sleep (2:31) ; Night in Baghdad (3:23) ; Tightrope (5:58) ; Same time tomorrow (3:51).…”

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Bright red ; and, Tightrope / by Anderson, Laurie, 1947-

Table of Contents: “…Bright red: Speechless (5:20) ; Bright red (3:12) ; The Puppet Motel (3:09) ; Speak my language (3:38) ; World without end (2:47) ; Freefall (4:32) ; Muddy river (3:02) -- Tightrope: Beautiful pea green boat (4:20) ; Love among the sailors (2:49) ; Poison (3:47) ; In our sleep (2:31) ; Night in Baghdad (3:23) ; Tightrope (5:58) ; Same time tomorrow (3:51).…”

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